New York State Of Mind Billy Joel

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Since The 20th Century

Billy Joel – New York State Of Mind (from Old Grey Whistle Test)

On September 11, 2001, two of four hijacked planes were flown into the Twin Towers of the original in , and the towers collapsed. also collapsed due to damage from fires. The other buildings of the World Trade Center complex were damaged beyond repair and demolished soon thereafter. The collapse of the Twin Towers caused extensive damage and resulted in the deaths of 2,753 victims, including 147 aboard the two planes. Since September 11, most of Lower Manhattan has been restored. In the years since, over 7,000 rescue workers and residents of the area have developed several life-threatening illnesses, and some have died.

A memorial at the site, the , was opened to the public on September 11, 2011. A permanent museum later opened at the site on March 21, 2014. Upon its completion in 2014, the new became the in the Western Hemisphere, at 1,776 feet , meant to symbolize the year , 1776. From 2006 to 2018, , , 7 World Trade Center, the , , and were completed. and are under construction at the .

Hurricane Sandy

COVID-19 pandemic and flag change

On March 1, 2020, New York had its first confirmed case of after , a previous two months ago. Since March 28, New York had the highest number of confirmed cases of any state in the , which is outpaced the state as of February 1, 2021. Nearly 50 percent of known national cases were in the state as of March 2020, with one-third of total known U.S. cases being in New York City.

Drainage

A New York State Of Mind ~ A Tribute To Billy Joel

Guys, Ive been a Billy Joel fan for the last 30 years, but after hearing you last night at BB Kings, Im also your fan! You are all amazing musicians who deliver a kick-butt Performance, note-for-note, UnbelievableSeriously! We saw your show live in November and I must say that if I closed my eyes I could swear it was Billy Joel on stage, keep on rolling, you are fantastic!

From The Album: The Stranger

Some folks like to get awayTake a holiday from the neighborhoodHop a flight to Miami BeachOr to HollywoodBut I’m talking a GreyhoundOn the Hudson River LineI’m in a New York state of mind

I’ve seen all the movie starsIn their fancy cars and their limousinesBeen high in the Rockies under the evergreensBut I know what I’m needingAnd I don’t want to waste more timeI’m in a New York state of mind

It was so easy living day by dayOut of touch with the rhythm and bluesBut now I need a little give and takeThe New York Times, The Daily News

It comes down to realityAnd it’s fine with me ’cause I’ve let it slideDon’t care if it’s Chinatown or on RiversideI don’t have any reasonsI’ve left them all behindI’m in a New York state of mind

It was so easy living day by dayOut of touch with the rhythm and bluesBut now I need a little give and takeThe New York Times, The Daily News

It comes down to realityAnd it’s fine with me ’cause I’ve let it slideDon’t care if it’s Chinatown or on RiversideI don’t have any reasonsI’ve left them all behindI’m in a New York state of mind

I’m just taking a Greyhound on the Hudson River Line’Cause I’m in a New York state of mind

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New York State Of Mind

“New York State of Mind”
Producer Billy Joel

New York State of Mind” is a song written by Billy Joel that initially appeared on the album Turnstiles in 1976. Although it was never released as a single, it has become a fan favorite and a song that Joel plays regularly in concert. Joel famously played the song at The Concert for New York City, the October 2001 benefit concert for the New York City Fire and Police Departments and the loved ones of families of first responders lost during the terrorist attack on New York City on 9/11. He reprised that theme, playing it during his set at 12-12-12: The Concert for Sandy Relief at Madison Square Garden in New York City on December 12, 2012, where he changed lyrics to include the likes of “Breezy Point”.

The Influence Of Duke Ellington

New York State of Mind by Billy Joel

While swing was reaching the height of its popularity, spent the late 1920s and 1930s developing an innovative musical idiom for his orchestra. Abandoning the conventions of swing, he experimented with orchestral sounds, harmony, and with complex compositions that still translated well for popular audiences some of his tunes became , and his own popularity spanned from the United States to Europe.

Ellington called his music American Music, rather than jazz, and liked to describe those who impressed him as “beyond category”. These included many musicians from his orchestra, some of whom are considered among the best in jazz in their own right, but it was Ellington who melded them into one of the most popular jazz orchestras in the history of jazz. He often composed for the style and skills of these individuals, such as “Jeep’s Blues” for , “Concerto for Cootie” for ” rel=”nofollow”> Bob Russell’s lyrics), and “The Mooche” for and . He also recorded compositions written by his bandsmen, such as ‘s “” and “”, which brought the “Spanish Tinge” to big-band jazz. Several members of the orchestra remained with him for several decades. The band reached a creative peak in the early 1940s, when Ellington and a small hand-picked group of his composers and arrangers wrote for an orchestra of distinctive voices who displayed tremendous creativity.

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Sexual Orientation And Gender Identity

Roughly 3.8 percent of the state’s adult population self-identifies as , , , or . This constitutes a total LGBT adult population of 570,388 individuals. In 2010, the number of same-sex couple households stood at roughly 48,932. New York was the fifth state to license , after New Hampshire. , the , said “same-sex marriages in New York City have generated an estimated $259 million in economic impact and $16 million in City revenues” in the first year after enactment of the Marriage Equality Act. were legalized on June 24, 2011, and were authorized to take place beginning thirty days thereafter. New York City is also home to the largest population in the United States, estimated at 25,000 in 2016. The annual traverses southward down in Manhattan, ending at , and is the largest pride parade in the world, attracting tens of thousands of participants and millions of sidewalk spectators each June.Queer in the World states, “The fabulosity of Gay New York is unrivaled on Earth, and seeps into every corner of its five boroughs” and entertainer stated , Anyways, not only is New York City the best place in the world because of the queer people here. Let me tell you something, if you can make it here, then you must be queer.

Other faiths 0.5%

Acid Jazz Nu Jazz And Jazz Rap

developed in the UK in the 1980s and 1990s, influenced by and . Acid jazz often contains various types of electronic composition ” rel=”nofollow”> sampling or live DJ cutting and ), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Richard S. Ginell of AllMusic considers “one of the prophets of acid jazz”.

is influenced by jazz harmony and melodies, and there are usually no improvisational aspects. It can be very experimental in nature and can vary widely in sound and concept. It ranges from the combination of live instrumentation with the beats of jazz ” rel=”nofollow”> St Germain, , and ) to more band-based improvised jazz with electronic elements ” rel=”nofollow”> Kobol and the Norwegian “future jazz” style pioneered by , , and ).

developed in the late 1980s and early 1990s and incorporates jazz influences into . In 1988, released the debut single “Words I Manifest”, which sampled Dizzy Gillespie’s 1962 “Night in Tunisia”, and released “Talkin’ All That Jazz”, which sampled . Gang Starr’s debut LP and their 1990 track “Jazz Thing” sampled Charlie Parker and . The groups which made up the tended toward jazzy releases: these include the ‘ debut , and ‘s and . Rap duo incorporated jazz influences on their 1992 debut . Rapper ‘s series began in 1993 using jazz musicians during the studio recordings.

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Swing In The 1920s And 1930s

The 1930s belonged to popular big bands, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the “big” jazz band included bandleaders and arrangers , , and , , , , , , , and . Although it was a collective sound, swing also offered individual musicians a chance to “solo” and improvise melodic, thematic solos which could at times be complex “important” music.

Over time, social strictures regarding racial segregation began to relax in America: white bandleaders began to recruit black musicians and black bandleaders white ones. In the mid-1930s, Benny Goodman hired pianist , vibraphonist and guitarist to join small groups. In the 1930s, Kansas City Jazz as exemplified by tenor saxophonist marked the transition from big bands to the bebop influence of the 1940s. An early 1940s style known as “jumping the blues” or used small combos, uptempo music and blues chord progressions, drawing on from the 1930s.

Billy Joel New York State Of Mind

Billy Joel – New York State of Mind (from Tonight – Connecticut 1976)

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Swing In The Early 20th Century

Morton loosened ragtime’s rigid rhythmic feeling, decreasing its embellishments and employing a feeling. Swing is the most important and enduring African-based rhythmic technique used in jazz. An oft quoted definition of swing by Louis Armstrong is: “if you don’t feel it, you’ll never know it.”The New Harvard Dictionary of Music states that swing is: “An intangible rhythmic momentum in jazz…Swing defies analysis claims to its presence may inspire arguments.” The dictionary does nonetheless provide the useful description of triple subdivisions of the beat contrasted with duple subdivisions: swing superimposes six subdivisions of the beat over a basic pulse structure or four subdivisions. This aspect of swing is far more prevalent in African-American music than in Afro-Caribbean music. One aspect of swing, which is heard in more rhythmically complex Diaspora musics, places strokes in-between the triple and duple-pulse “grids”.

The made the music’s first recordings early in 1917, and their “” became the earliest released jazz record. That year, numerous other bands made recordings featuring “jazz” in the title or band name, but most were ragtime or novelty records rather than jazz. In February 1918 during World War I, James Reese Europe’s band took ragtime to Europe, then on their return recorded Dixieland standards including “”.

The Production Will Transfer To Fst’s Goldstein Cabaret Where It Will Play Through Sunday October 16

Florida Studio Theatre has announced that the run of New York State of Mind – All the Hits of Billy Joel With The Uptown Boys has been extended yet again due to audience demand. Created by John De Simini and Alexander Aguilar, Broadway veterans who have worked on such shows as Miss Saigon and A Bronx Tale, this lively music revue will now play through October 16, 2022. Featuring more than two dozen of Billy Joel‘s greatest hits, New York State of Mind will run as originally scheduled in FST’s Court Cabaret through Sunday, October 2. Then, the production will transfer to FST’s Goldstein Cabaret, where it will play through Sunday, October 16. Single tickets are now on sale at FloridaStudioTheatre.org or at 941.366.9000.

“We are thrilled by the wonderful response of FST patrons to New York State of Mind!” said John De Simini and Alex Aguilar, the cabaret’s co-creators. “We’re also excited that Sarasota audiences will have even more opportunities to see the show in such an intimate, one-of-a-kind setting.”

New York State of Mind – All the Hits of Billy Joel With The Uptown Boys uses Joel’s well-known song catalogue as a vehicle to share the cast’s personal stories of life, romance, and trying to “make it” in New York City. With Billy Joel‘s biggest hits, such as “Piano Man,””Uptown Girl,” and “Still Rock and Roll to Me,” this engaging concert experience celebrates Billy Joel‘s musical storytelling and ability to reach people of all generations.

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Punk Jazz And Jazzcore

The relaxation of orthodoxy which was concurrent with in London and New York City led to a new appreciation of jazz. In London, began to mix free jazz and dub reggae into their brand of punk rock. In New York, took direct inspiration from both free jazz and punk. Examples of this style include ‘s Queen of Siam, Gray, the work of and the .

took note of the emphasis on speed and dissonance that was becoming prevalent in punk rock, and incorporated this into free jazz with the release of the album in 1986, a collection of tunes done in the contemporary style. In the same year, , , , and recorded the first album under the name , a similarly aggressive blend of thrash and free jazz. These developments are the origins of jazzcore, the fusion of free jazz with .

Traditionalism In The 1980s

Billy Joel  New York State of Mind T

The 1980s saw something of a reaction against the fusion and free jazz that had dominated the 1970s. Trumpeter emerged early in the decade, and strove to create music within what he believed was the tradition, rejecting both fusion and free jazz and creating extensions of the small and large forms initially pioneered by artists such as and , as well as the hard bop of the 1950s. It is debatable whether Marsalis’ critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s nonetheless there were many other manifestations of a resurgence of traditionalism, even if fusion and free jazz were by no means abandoned and continued to develop and evolve.

For example, several musicians who had been prominent in the genre during the 1970s began to record acoustic jazz once more, including and . Other musicians who had experimented with electronic instruments in the previous decade had abandoned them by the 1980s for example, , , and . Even the 1980s music of , although certainly still fusion, adopted a far more accessible and recognizably jazz-oriented approach than his abstract work of the mid-1970s, such as a return to a theme-and-solos approach.

ensemble included a rotation of young jazz musicians such as , , , , , , and .

A similar reaction took place against free jazz. According to :

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National Parks Monuments And Historic Landmarks

The State of New York is well represented in the with 22 , which received 16,349,381 visitors in 2011. In addition, there are four , 27 , 262 , and 5,379 listings on the . Some major areas, landmarks, and monuments are listed below.

  • The includes and the . The statue, designed by and formally named Liberty Enlightening the World, was a gift from to the United States to mark the Centennial of the it was dedicated in New York Harbor on October 28, 1886. It has since become an icon of the United States and the concepts of democracy and freedom.
  • The in is the only national monument dedicated to Americans of African ancestry. It preserves a site containing the remains of more than 400 buried during the late 17th and 18th centuries in a portion of what was the largest colonial-era cemetery for people of African descent, both free and enslaved, with an estimated tens of thousands of remains interred. The site’s excavation and study were called “the most important historic urban archeological project in the United States”.

Cities and towns

4.2%
Sources: 19102020

According to statistics, the state is a leading recipient of migrants from around the globe. In 2008 New York had the second-largest international immigrant population in the country among U.S. states, at 4.2 million most reside in and around New York City, due to its size, high profile, vibrant economy, and culture. New York has a pro- law.

Th Century The American Revolution And Statehood

The were organized in during the 1760s, largely in response to the oppressive passed by the in 1765. The met in the city on October 19 of that year, composed of representatives from across the who set the stage for the to follow. The Stamp Act Congress resulted in the , which was the first written expression by representatives of the Americans of many of the rights and complaints later expressed in the . This included the right to . At the same time, given strong commercial, personal and sentimental links to , many New York residents were . The provided the necessary to force a withdrawal from the in 1775.

New York was the only colony , as the delegates were not authorized to do so. New York then endorsed the on July 9, 1776. The was framed by a which assembled at on July 10, 1776, and after repeated adjournments and changes of location, finished its work at on Sunday evening, April 20, 1777, when the drafted by was adopted with but one dissenting vote. It was not submitted to the people for ratification. On July 30, 1777, was inaugurated as the first at Kingston.

Both the Dutch and the British imported African slaves as laborers to the city and colony New York, with its high population, had the second-highest population of slaves after Charleston, South Carolina. Slavery was extensive in New York City and some agricultural areas. The state passed a law for the gradual soon after the Revolutionary War, but the last slave in New York was not freed until 1827.

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